My first plein air painting in two years..and I chose a rainy and snowy day to do it! Not the best composition ever and with very finicky brushwork (but with a nice stroke here and there!), I succeed in finishing it. And most importantly, I enjoyed it so, so much!!!
So, after all sorts of difficulties, I think this is what they call “breaking the ice”, so now I should start settling back into the process…and the joy plein air painting gives me.
Oil on gessoed board, 41x33cm
One of my demons in art, is the ellipse. I hate drawing ellipses. Maybe hate is a strong word..I really really dislike ellipses. So many objetcs have some sort of ellipse in it. And like with perspective, you can’t be an artist without coming across ellipses.
With a snowy and rainy weekend keeping us inside, I challenged that ellipse fear and went back to my spiral exercises(see bottom of page).
pen and watercolor in Arches aquarelle block, HP, 18x26cm
pen and watercolor in Arches watercolor block, CP, 18x26cm
I do these great spiral exercises to practice ellipses from the book “Sketchbook for artists”. S
- Start with drawing a circle and loosely let your hand move downwards in a spiral. It it best to not do it slowly, but at a natural, continuous speed, without stopping.
- You can enlarge and diminish to your own liking, creating different shapes and volumes.
- Practice placing one spiral into another.
- Vary the thickness of the lines. Don’t worry if it is all askew in the beginning..your hand will get steadier as you keep on doing these spring-like spirals.
..Spiral exercises four ellipses..
Bibliography: Sketchbook for the artist, Sarah Simblet..
With this very first post of 2013, I wish you all a very good new year..may it be all you wish it to be!
I have gotten myself back to the easel and sketchbook..a great achievement here in January. For myself, I hope that 2013 will be a better year than the previous, especially on the art front. But of course, that only depends on one person..me.
Of all the sketches I did today, the following ones are the most successful. The three chickens kept still long enough with their backsides to me, so I could practice my observation skills which got lost during the past year.
..three chickens in a row..
done in watercolor on Aquarelle block, HP, 18x26cm
It is a different story with the birds. The mésanges(tits) are way too quick for me and I could only succeed in blobs of colour which looked more like flying saucers and even that would be an insult to the Martians. So I took closeups and put my own sketch together. According to my own rule, it is then not by definition a sketch, but more of a drawing, using sketching techniques. That is a mouthful! By my definition a sketch is only a sketch when done right in front of the live subject, “sur le motif”, we call it in French. when using the help of otter media..magazines, photos, it becomes drawing. The observation and rendering become totally different. By saying I used “some sketching technique”, I suggest that I used about 4 different photos, composed 2 birds on my paper, referred to the photo’s for colour and lastly added some branches and seeds from direct observation from the tree. So, finally, the whole sketch is my own composition with my branches and seed block being a true sketch with birds drawn onto it…
..Feeding two mésanges..
done in watercolor in Hahnemuhle watercolour sketchbook, 15.3x25cm.