Welcome! Hope you see some artwork that pleases you, if not now, maybe next time…

Welcome to Africantapestry! I hope you see something you like...if not now, maybe next time!

Latest

Autumn coloured hydrangeas in aquarelle.

I adore the colours of hydrangeas in the fall. They lose that bright summer blues and pinks and become faded. Even the whites turn a faded green. Some dried brown petals turn the blooms into pieces of art in shades of all colours.

I did the the first sketch too stiff and controlled into a round ball, even though I am not too unhappy with the colours.

autumn hydrangea 1

So I decided to do another sketch, this time much looser, maybe not immediately recognizable as an hydrangea, but I have never cared about likeness. Loose, fluid painting with personal interpretation is much more important to me.

autumn hydrangea 2à bientôt

ronelle

This and that in Bretenoux

I try to sketch every time I sit down for a coffee somewhere in a village. Not all my sketches are worth showing. Sometimes my people look like godzillas and my buildings look like mudhuts and sometimes I just sit and mess around with colour, because I simply love color. But, in the end they all serve one purpose. To sharpen the saw.

The sketch below is from different buildings; the top one just being a little pigeonnier that serves as the entrance to a park and the other a door of the church further away.

bretenoux this and that-001

One of the things I adore about our old Europe, is the church bells. Even here at Coin Perdu I can hear the church bells ring. Sitting in the old town centres sipping a modern Perrier, while hearing the church belles right next to me, sometimes feel completely surreal. Below is the old church in the center of Brive la Gaillarde, la collégiale St MArtin, dating from the XII th century.

bretenoux this and that  3372x5341

Some  of this and that in the street of Brive la Gaillade.

bretenoux this and that  5122x3436

chestnuts

Two years ago I sketches some chestnuts in the forest.  Yesterday I did a new sketch. The chestnuts are only starting to open in the forest now, but we have to be fast, before the squirrels and other chestnut lovers get hold of them.

chestnuts 1

watecolor and pen on Arches watercolor paper,  23×30.5cm

chestnuts 2 6784x5044

chestnuts 2(done 2 years ago)

chataigne

September sketches: la Poste in Bretenoux.

I was enjoying a coffee in medieval Bretenoux with its lovely little cobbled squares and covered alleys. The sun was shining hot and I got tempted into a second coffee and drawing the post office just opposite me. Very lazily of course… as all sun lovers will know…the sun is a happy drug!

I added only a touch of colour, which I quite like, since the linework was very spontaneous and quirky..

Bretenoux

pen in Daley and Rowney watercolor sketchbook

bretnoux la post

à bientôt

ronelle

August sketching 18: Birthday sunflowers.

Is there any gift bigger for a birthday than a sunny day in august and a large bunch of bright yellow sunflowers? so was my birthday yesterday.

And as sketches…my sunflowers captured lazily today as I think I had too much birthday yesterday…

birthday sunflowers 1

watercolor and pen in Daler and rowney sketchbook

 

birthday sunflowers 1

birthday sunflowers 2

watercolor and pen in Daler and rowney sketchbook

birthday sunflowers 2

à demain

Ronelle

August sketching 16: Messy experiments in gouache.

I have a tendency to become tight the more I work. It is just one of those inevitable things. So I often have to change mediums and styles and experiment in other ways to loosen up again. I have notice with my sketching that I have become tight again. Normally I would change to oils and go do some plein air which helps, but with the bad weather, I had to divert to other options. As I was watching the horses walking all over our well the other day, I saw a contrast of grey sky and a line of white lace flowers and the green fields and it stirred the desire to put that onto paper by using the opaque gouache, a medium I quite like, exactly for its “experimental” qualities. It opens up possibilities to take it further into oils.

The following gouache experiments were all done in sketchbooks

messy in gouache 4106x2960

After sitting outside, I moved in, bringing in some of the woildflowers now in seaspon and trying to create the broad bands of colour..the greens, the blues and of course the shapes, not worrying too much about authenticity. It was all just about colour and application with a loose wrist and finally some line squiggles, which I always love. For the dark lines I initially used inks, but it didn’t work too well on top of the gouche, so I used a dark mixture(which I alwyas use in oils for black) of Burnt unber, alizarin crimson and french ultramarine which always gives a rich dark black.

gouche 1 gouche 2 gouche 3 gouche 4

 

with this experiment, I used the gouache much more diluted to get more “wispy” horizons as a back drop for the lace flowers. Well, I don’t know what those funny linework at the bottom is all about, but at the time I felt in the mood for it.gouche 5

This was a lot of fun and really something I will explore deeper, maybe on much lager scale with oils..and added animals…Many options in fact.

à demain

Ronelle

August sketching 15: Kitchen vignette

I did a lot of experimenting today..playing around with inks and rigger brushes, gouache paints and aquarelles. I finally played with  a kitchen vignette in aquarelle and Herbin inks. Not totally happy with the results, so a lot of work waiting  with the inks . the drawing was actually so much better before I added the aquarelle..should’ve stopped there.

vignette cuisine

 

Follow

Get every new post delivered to your Inbox.

Join 647 other followers

%d bloggers like this: