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aquarelle

August sketching 14: a red roof in Beaulieu

My august sketching have slipped a little from under me and I lost a few days. The constant rain we’ve been having added to the difficulty of getting out. today’s sketch is just a large simple house  with a impressive red tiled roof…I love these red roofs..

..a red roof in Beaulieu..

watercolor and Prera pilot fountain pen in S&B sketchbook

a red roof in Beaulieu

à demain

Ronelle


August sketching 7: Just half of a porcherie(pighouse) and three cows.

The rain came down by the buckets today. Beautiful of course, the rain, but not when you are on a roll and want to be in plein air, sketching or painting. I drank a cafe at out local café, waited for the rain to stop. Went home, waited for the skies to clear; Had another coffee. Starred out my back door, my only door…and looked into the  old worn porcherie, or old pighouse if you will. It will be fixed up one day, but for the moment its dilapidated charm will be immortalized on paper. Not the best sketch ever, but the goal wasn’t a great sketch today, it was all about the paper..so there we have it. Just half of a  porcherie. And three cows.

..Stillman and Birn Alpha series, vellum surface, 22.9×15.2cm..

porcherie stillman & B- Alpha 5225x3533

..Close-up of the watercolor on the paper..

porcherie stillman & B- Alpha1 2679x2143

I went for the Alpha Stillman & birn sketchbook today, a real charmer! Much happier than yesterday with the Epsilon. It has a Vellum texture which is satiny an beautiful to work with in watercolors…like the HP of Arches and Fabriano. I like the color and yes…beautiful granulation…see the blue sky in the close-up above. (Even though it was a grey rainy day, I wanted to see what the paper does with cerulean blue which is known for having lovely granulation..on the right paper). The book opens nice and flat and I am surprised at how much water it can actually take, because I worked with even more water today than usual, really giving this little book a challenge. The buckling is present, but as already said, buckling in a sketchbook doesn’t bother me. All in all, a nice book for watercolor sketches and saying that only after one try, says a lot for me. I am an Arches and Fabriano HP fan and it takes a lot to convince me of something else better…or as good! Snob!!

Porcherie aquarelle in Stillman 4559x3161..à demain..

Ronelle


Agust sketching 6: A church and a house in le Pescher.

Le Pescher is a quaint little village not far from us…when our daughter got married there in 2012, we all walked to our cars through the little village from the church, past the bassin, filled with enormous fish! My sketching for today was the church where they got married(well, only the tower, since I ran out of paper for the rest!) and a house opposite the pond on the route we walked.

..a house across the large pond, bassin..

Le Pescher Maison 6466x4910

..the little church of Le Pescher..Le Pescher 2

I received 2 sketchbooks from Stillman & Birn and did my first watercolor in the Epsilon S&B sketchbook, 150gms. It is  really too lightweight for my watercolor, but then it isn’t really meant for watercolor, only for drawing with ink and pen. It is very very smooth with no tooth at all, and I don’t even  like it for drawing, for that reason. I like a bit of tooth which grabs a medium, whether it is watercolor or pencil or charcoal or whatever.  But it is still early days and I only got started with the book, so there is still time to get used to the paper.

Stillman & Birn 2055x2837

One can see the buckling of the paper, which doesn’t bother me too much, but the watercolor makes hard edges and there is no granulation, something I love in watercolor. It is all very flat and smooth. A sketchbook not fit for watercolor, even though I read comments on internet which convinced me to get it for watercolor sketching.Stillman & Birn 3142x2665

What is nice about these books is that it folds open without the spiral in the middle, allowing one to paint across two pages if you want to. But if I compare this book to my Daler Rowney, (satin finish, 160gms)  that I have been doing the latest sketches in, it totally falls short. I personally prefer the Daler Rowney even with the spiral in the middle.

Stillman & Birn 3147x2578

.. The S&B sketchbook and my brass palette with its 16 colours..

Stillman & Birn 4222x3208

 

à demain!

Ronelle


August sketching 5: more shutters and the barcounter.

Today was a tired day, even though the sky was blue and bright. Can’t explain it. It is just how it is some days.

..Typical houses around here…shops down below and the living is done upstairs, with volets(shutters), not my favorite thing to paint!

les volets 3396x4609

..done with rotring art pen in contour quick lines, while waiting for my lunch of  duck and salad to show up. Added a light wash over some of the  lines, and there you have it. a sketch..

comptoir 3452x4674


August sketching 4: Things I love.

I love old things. Things worn with time and loaded with stories. Old cups, old jugs, tins, doilies from Maman, teaspoons…And so today I sat by my table and sketched all these old things.

..Watercolor and pen in large Daler and Rowney sketchbook,  21x29cm..

Things I love aquarelle 2 4747x6469(Apologies for the bad scan…I can’t get those dark spots away without changing the colour of the aquarelle)

 While we are in the barn, I don’t have an art atelier, so in fact the whole barn is my atelier! I have a large table just behind our little sitting corner where I work  when doing watercolors or drawings etc. All the brushes and pencils and pens are at hand in copper containers. Behind me(not seen on photo)is the large easel for when I do painting and all the oil pants are stored on a trolley which I store under the table. So, in fact, it works! One doesn’t need a fancy art atelier to do art! A little corner will do. I hope you too have your little corner, even if it is a corner of the kitchen table!

..my art corner..

art table in the barn 3870x2680à demain

Ronelle


Sketching in august 3: Market scene.

Sundays we spend either at a brocante or at the market in St. Cér2..and coffee and croissant of course! Today was market day in St. Céré with coffee. It was a crazy rainy day with the sun coming out every hour for 10 minutes before it came pouring down again. We sat at the corner café and while I sketched, mon chéri worked(played chess, I think!!) on his computer. I was happy with the sketch I did in pencil. I should’ve only added pen and be done with it, but I couldn’t resist adding watercolour and it all changed…pity.

..pen and watercolor in Derwent artist’s sketchbook, 140x210cm..

St Céré aquarelle

 

The scene from our table over the heads of other coffee drinkers…

marché à St. Céré 4259x2790..and the sketch halfway done, after the watercolor wadded but before the pen lines were added.

marché St. Cére 2 3330x2660

à demain

Ronelle


August sketching 2

It is only day 2 but boy, I am having so much fun!  I feel inspired, enthusiastic creative and just in the zone…how many of you can say that this evening? I hope it will last the entire 31 day of August…and beyond. Of course it won’t, but even just a little bit of it will be good enough.

Starting off with my café, which helps get me in the “zone”, I sketches the géraniums just opposite. It was raining, the tourists took up all the other covered spots in our small village, so I didn’t have much choice of going out. In the end I am happy I stayed, it turned out not too bad, after initially starting off a bit slow…

 

géraniums à Beaulieu 3395x4817Once again, a lot of conversation around me, but it is good in teaching me to focus and listen at the same time.

  • I used yellow on the walls with touches of burnt sienna.
  • The roofs were done with ivory black and raw umber and blue.
  • The shadows on the canopies were done with a light wash of cerulean blue.
  • The geraniums done in cadmuim red and the greens in golden green, darkened with phtalo blue.
  • In the shade of the canopy in the background, behind the people dining in the foreground, a touch of light black ivory was applied for shadows.
  • In the foreground the people and tables  just behind the stone wall, closest to me were  done in bright burnt umber.
  • And lastly some yellow ochre touches here and there when the sun came out…

yelows, ocres.. 5494x3461.0001

It is a good idea to test the same colour of different brands, because they do sometimes differ. In the above sample at the bottom left I have compared the raw umber of W&N with that of Sennelier. I prefer the Sennelier raw umber which is cooler than that of the W&N.

From top left anticlockwise to bottom: warm grey, naples yellow, burnt umber, raw umber, burnt sienna, raw sienna, yellow ochre, cadmium yellow, cadmium yellow deep, lemon yellow.

My little pocket brushes are one from Arches…le petit gris nr 6, which broke at some time and I fixed it with tape and now it still works perfectly. The other is a Kolinsky that I have no idea where it is from. all I know is that I have used it for years, so much so that I have lost its cover and now use a piece of plastic that I found which fits over the brush. (See photos down below). So you can see, I am a bit like the mechanic whose car is always in pieces…But look ate those lovely brush points…hold as much or as little water as I want them to!

A new sketchbook from Daler & Rowney which I just discovered and am quite impressed with. The paper is not that heavy, only 160g, but it takes watercolor quite well and I don’t mind a little buckling in a sketchbook. The pocket brushes from top my precious Kolinsky nr 8 with its “unbecoming” plastic cover and the “repaired”petit gris nr 6 below.

pocket brushes 2511x3239

..Kolinsky pocket brush 8..

pocket brushes 3235x2590

 

..”taped” petit gris pocket brush 6

  pocket brushes 3330x2715

à bientôt

Ronelle

 

 


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