I adore the colours of hydrangeas in the fall. They lose that bright summer blues and pinks and become faded. Even the whites turn a faded green. Some dried brown petals turn the blooms into pieces of art in shades of all colours.
I did the the first sketch too stiff and controlled into a round ball, even though I am not too unhappy with the colours.
So I decided to do another sketch, this time much looser, maybe not immediately recognizable as an hydrangea, but I have never cared about likeness. Loose, fluid painting with personal interpretation is much more important to me.
We have a humid summer this year…hot and humid which isn’t normal for us. One can clearly see the effect on us humans. Our energy gets sapped by the humidity and many a day I , who adores heat, feel like a limp fish on these mucky days. The Mediterranean plants even more so. These Dipladenias enjoy heat and dry summers , so too they struggle with the heavy humidity. With not their usual abundance of flowers, they still bloom and show off beautifully, quite different from me, who struggled to stay focused on my sketching with no blooming and showing off in sight.
..watercolour and pen on Arches watercolor block, HP, 18x26cm..
It is very very hot and humid. Everybody is moving around like limp fish. The horses are in permanent rest under the apple tree, the cats don’t lift an eyebrow when I walk past the them and even the chickens lay motionless in the shade of the hibiscus bush. I was busy, or trying to be. I took down washing, hung the next basket full, every time walking past the chickens. When they didn’t move when by the third pass, I thought they might just keep that pose for another 30 minutes. Et voilà, indeed they did, or almost. This was fun.
oil on board, 30x30cm
I believe in drawing as a basis for all mediums of art. Whether doing aquarelle or oil painting, statues of abstraction..it all comes down to understanding an object/subject and nothing else than good old drawing can get one to that point. Not forgetting doing it on large format. Just my personal opinion. I don’t draw enough. There was a time when I was much better at drawing than I am now. Doing life model drawing saw to that. I have to get back to live drawing sessions with a model. Perfect for drawing skills.
rotring Tikky graphic pen on drawing paper, 21×29.7cm
I actually enjoy doing urns, bowls, jugs…they are a good mixture of simple shapes put together in a complex way…ellipses, round shapes, triangles, rectangles, value shapes, light shapes, depth.. good practice for seeing shapes rather than lines, even though I do like line work.
Charcoal on drawing paper, 29.7×42 cm
Aargh…so many booboos in these 2 drawings, but it is OK. At least I didn’t ‘feather’ my drawings into correctness, like I see so often and I find it terrible. Rather a sure, continuously wrong line than a hesitantly feathered correct “line”. Once again, only my personal opinion.
An apple a day keeps the horses at bay…at least here at Coin Perdu. Our three adore their apples and know for sure that September means free apples picked from the apple tree.
..An apple a day..
Pen and watercolor on watercolor block, 23X31cm
With my apple-picking-excursion for this sketch, I once again realized the importance of having a sense of humor. I may have few outstanding qualities, but I have an extraordinary sense of humor and it is the one thing in which I have unshakable faith. It has saved me many a time. It has pulled me up when nothing else or no one else could. I know that however bad things may be today, tomorrow or the day after I will find the humor in it. So I always hang on, sometimes by a very thin thread, until that sense of humor kicks in. Like this afternoon. In heavy pouring rain, I slipped on the slopes, got almost fried by the electric fence and couldn’t reach the apples, so I had to shake the branches, which brought down a shower of apples and extra rains, most of them finding my head. The horses got highly excited by this downpour of apples and pushed my tiny frame discourteously out of the way with their extra large behinds. I grabbed my apples and scrambled out of their way, waving my arms and fingers at them, or maybe it was to keep my balance…who knows.
While trying to find the bumps on my head in front of the mirror and instead only finding apple drenched horse saliva, I wished I could be on the beach in the sun somewhere, elegantly sipping something colourful I don’t know the name of.
But here I am, at least with a sketch for this day.
Tomorrow I will laugh about it.
I have lost a week’s posting of sketches which I’ll catch up on later. For now, I am back on track with today’s sketch of corn on the cob from the potager, on which the horses feast every day. Up until a few days ago, they were still sweet and juicy and wonderful on the barbeque, but seeing them with dry husks, is a clear sign that summer is moving on.
..corn on the cob..
The chickens have been moved to their new chateau and soon the old chicken coop will be demolished, not without a morsel of sadness, though..
..le vieux poulailler..
oil on linen, 33x46cm
I first painted in the tufts of hay that stuck out all over, which I actually found so cute! After adding those first strokes of tuft and standing back, it look like I borrowed some stars from Van Goch starry night and added it to my poulailler. No go. So, with patience unknown to me, I scraped off the tufts with the palette knife and touched up again with fresh paint. It is once again an art lesson: not everything we find pretty in reality will necessarily make a good painting.