A sunshine tulip and white sketches.
The tulips I brought back from Amsterdam last year are all in bloom, except for 3 Allium bulbs that I lost to greedy rabbits. I picked all white bulbs and got big surprise when a few of the carefully picked white bulbs turned out to be a bright sunny yellow! That is OK. Oh well, I am not too angry. Seeing that we are still wearing winter clothes and waiting for spring weather, I can only imagine the yellow was chosen by fate to uplift my spirit..some very welcome sunshine in a tulip!
As usual, I wait until the very last to get something done..including sketching the tulips. The yellow ones lost all their petals today, except for one lonely one, hanging on a few petals only for my benefit. While mon chéri saw to diner, I took the opportunity to sketch these tulips, before the fat lady had finally sung. I made it just in time…all the yellow petals are gone..
The white tulips are still flowering happily and elegant in their waving. I am not a huge tulip fan and never had many in my gardens, but I have to admit that they do make for a spectacular show en masse!
à bientôt
Ronelle
Oil painting – white corner
My first plein air painting in two years..and I chose a rainy and snowy day to do it! Not the best composition ever and with very finicky brushwork (but with a nice stroke here and there!), I succeed in finishing it. And most importantly, I enjoyed it so, so much!!!
So, after all sorts of difficulties, I think this is what they call “breaking the ice”, so now I should start settling back into the process…and the joy plein air painting gives me.
..White corner..
Oil on gessoed board, 41x33cm
Birds and chickens sketches.
With this very first post of 2013, I wish you all a very good new year..may it be all you wish it to be!
I have gotten myself back to the easel and sketchbook..a great achievement here in January. For myself, I hope that 2013 will be a better year than the previous, especially on the art front. But of course, that only depends on one person..me.
Of all the sketches I did today, the following ones are the most successful. The three chickens kept still long enough with their backsides to me, so I could practice my observation skills which got lost during the past year.
..three chickens in a row..
done in watercolor on Aquarelle block, HP, 18x26cm
It is a different story with the birds. The mésanges(tits) are way too quick for me and I could only succeed in blobs of colour which looked more like flying saucers and even that would be an insult to the Martians. So I took closeups and put my own sketch together. According to my own rule, it is then not by definition a sketch, but more of a drawing, using sketching techniques. That is a mouthful! By my definition a sketch is only a sketch when done right in front of the live subject, “sur le motif”, we call it in French. when using the help of otter media..magazines, photos, it becomes drawing. The observation and rendering become totally different. By saying I used “some sketching technique”, I suggest that I used about 4 different photos, composed 2 birds on my paper, referred to the photo’s for colour and lastly added some branches and seeds from direct observation from the tree. So, finally, the whole sketch is my own composition with my branches and seed block being a true sketch with birds drawn onto it…
..Feeding two mésanges..
done in watercolor in Hahnemuhle watercolour sketchbook, 15.3x25cm.
Reds in autumn
Voilà all the reds from fall, the last of my autumn colours.
..the palette for all the autumn reds..
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..line drawings in pen and aquarelle added last..
18×25.5cm aquarelle arches block, CP
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.. wetting the paper, dripped some aqaurelle pigment, leave to dry and finished with pen line drawing..
23×30.5cm aquarelle Fabriano block, HP
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deraing in pan and dripping drops of colour..
18×25.5cm aquarelle arches block, CP
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..drawing in pen and aquarelle wash afterwards..
18×25.5cm aquarelle arches block, CP
Ochre fall leaves
This is my favorite time of sketching.. I love all the ochres and umbers. And on days when the weather is a bit chilly or wet, it is nice to bring in leaves and branches and whatever else I found on walk and fiddle in the studio. I don’t work in my atelier enough and I actually love my atelier! My table is in front of the fireplace, my coffee machine just a further to the left..in fact, the whole barn is my atelier and I am in it for another winter.
..fall leaves..
Both sketches done in pen and aquarelle in Hahnemule watercolor sketchbook, 19X20cm
Sweet chestnut sketch
Sketching a chestnut..not easy.
-pen and watercolor in watercolor sketchbook, 15x25cm-
à bientôt
Ronelle
Sketching two geese in action.
My two geese Aglaé et Sidonie, provide me with hours of fun and pleasure..watching them is better than owning a home cinema! I sketched them this weekend, the first time since I got them earlier this year. I thought it was going to be easy..sketching them. I know them by heart, seeing them every day and watching them, feeding the, following them, being followed by them. When I close my eyes, I can so clearly see them and I can so easily tell them apart. But sitting with the pen in my hand, brought forward all kinds of problems. Even when after changing to a pencil, I couldn’t escape the problems.
..Two adorable geese, Aglaé et Sidonie..
(watercolour and pen in Hahnemuhle watercolor sketchbook, 19x20cm)
I jumped in and tried to capture them while they floated in their fountain(actually MY fountain they took over!). That’s when I realized how little I understood of their morphology! I had trouble sketching their wings and the build of their lower bodies, the length of their necks in relation to their bodies, their typical thoraxes…they are so different from ducks and mine looked like some mongrels of geesed ducks.. so much for thinking I know my geese! So it was back to doing some real studying.
..Two geese in (my) fountain..
(watercolour and pen in Hahnemuhle watercolor sketchbook, 26x18cm)
From a distance, it was fairly easy getting hold of just the shapes and suggesting their actions. They are ideal for studying, because they move slowly(and funny) and rhythmic, with an elegance that originate in their long necks and sideways glances.
..two geese from a distance..
(watercolour and pen in Hahnemuhle watercolor sketchbook, 26x18cm)
Their backsides are quite interesting with their wings crossing one over the other and lying on top of a cute, quirky fantail.
..Two geese’s cute swaying backsides..
(watercolour and pen in Hahnemuhle watercolor sketchbook, 19x20cm)
They have such beautiful character, aren’t mean at all. It seems they love company, so they love lying by my feet or anywhere close by our activities, and they love being by the horses. Only with the chickens do they have a love/hate relationship.
..Two geese watching me as intensely as I did them..
(watercolour and pen in Hahnemuhle watercolor sketchbook, 19x20cm)
The top sketches are the best of all those I did the weekend, trying to understand these two ladies. When I close my eyes now, I actually see them much better! so doing all of this work was really wroth it. Capturing animals is not only about the perfect technique, but also about their character, which to me is more important than the perfect rendition of their morphology. I a feel quite chuffed with the expression in Aglaé in the above sketch..the typical tilt of her head and watchful sideways glance she throws me. Man, I just adore these mesdemoiselles!
à bientôt
Ronelle
Geraniums for a postcard
My very late postcard to Bridget consisted of geraniums, done way back when it was still summer.
..Summer geraniums..
-pen and watercolour on watercolour paper-
..summer geraniums in gouache and pen, on handmade paper..
Sketching a coffee in Toulouse and marigolds at Coin Perdu – 4 & 5 May.
..a coffee in Toulouse yesterday while waiting for my daughter to go fit her wedding dress. – 4 May.
pen and watercolor in Daler and Rowney sketchbook, 25,4×17,8cm
Doing this sketching every day in May is meant to get me back on track. I’ve lost some concentration, my ability to observe and interpret instantaneously. the last few months I’ve been distracted by so many things and art got put onto the back burner. My sketches in May is not supposed to be beautiful work, but a program of work and exercises. Flowers are always a good way to sharpen the saw and by looking at my wonky, askew marigolds…I need a lot of that!
..wonky marigolds – 5 May..
Terracotta potholder sketch – 2 May
..terracotta pots on garden pot holder..
watercolor and pen in Daler & Rowney aquarelle sketchbook, 254×178 cm.
Sketching everyday in May – 1 May 2012
Les muguets de 1er Mai..
..Lily of the valley..
watercolor and pen in Daler & rowney watercolor sketchbook, 254x178cm
Horse sketches
Our post card exchange has now come to an end, sadly, but maybe we have something new in the pipeline.
I sent Desiree horse sketches ..she and her family had horses at an earlier stage. Our two Comtois horses were my models and the sketch on the envelope I did from one of those sketches.
Gubi(envelope)
gouache and pen on envelope
Gaitchi and Gubi
done with pitt artist pens in sketchbook
Abstract efforts in inks.
I’m not a natural in doing abstracts, but I can appreciate abstract art work. And I mean real good abstract art, not bad art which hides under the cover of “abstract art”. What I’ve done here didn’t exactly end up being totally abstract, but I enjoyed the line work and the ink marks. In fact, it is probably still only more of my exercises in line and mark making, and not real abstract efforts..
…the blues…
..J Herbin inks with feather quill on Arches aquarelle paper rough,18x26cm..
…the Reds…
…Sennelier inks with feather quill on Arches aquarelle paper rough,18x26cm..
…The Blacks…
…Black Winsor et Newton Indian inks with feather quill on Arches aquarelle paper rough,18x26cm..
Colors and foliage in November 4
In the woods I picked up 2 different ivy’s, some pine branches, mushrooms and cushions of yellow green moss. for the greens, my palette c0nsisted of pure olive green, prussian blue, cerulean, cadmium yellow and ochre. I added touches of burnt sienna and raw umber.
In the first sketch I did yesterday, I found the colour too uniform and without depth, too uninspiring.
…greens..
pen and watercolor on Canson Montval watercolor paper CP, 29,7x42cm
…then I went back in this morning and darkened some values – in the mushrooms, the pine branches and I used a thicker .7 pen. I think it has now a bit more more…oomph?
Colors and foliage of November 3.
I found some beautiful grays…some more bluish, others more yellowish and greenish and some just simply…gray.
…grays..
watercolor and J Herbin inks on Hahnemuhle paper CP 15,5x25cm
Doing the above sketch was very quick and dare I say easy, without sounding obnoxious? I’ll tell and you can decide…
- With a goose quill and nib and “gris nuage” ink from J Herbin, I drew the outline of the twig/branch with contour lines.
- I added a wet was over the areas that I wanted to highlight as the greyish moss, in the process flooding some the water soluble ink lines.
- I dabbed in some light dabs of indigo, prussian blue, paynes gray, ochre and raw umber on the wet areas. To finish off the background, I dropped some paint , using the same colours, from a loaded brush to loosely suggest random patches of moss.
- Lastly I finished off with some dark paynes gray(little water, lots of pigment, to give very dark values, suggesting the small dark corners between the moss.
..J Herbin inks and goose quill…
Colors and foliage of November 2
More experimenting with fall colors…which are quickly changing to grays and blacks and umbers. some of these experiments and playing with line and color simply turn out a mess…as can clearly be seen in “ochres and siennas”, but somehow I actually like this mess, since it is much more loose and spontaneous than the others, which are strict and too precise and stiff. the goal of this experimenting is, after all, not to render, but to interpret. In that sense, “ochres and siennas” are my best effort so far, the one I’m the happiest with.
..ochres and siennas..
watercolor and pen in sketchbook, 15,5x25cm
I used the messy sketch above to do a painting 0n larger scale and extra white abriano artistico paper. I shgould’ve gone for a more yellow tinted paper. Much lighter hand, lighter in color and more diverse in nuances…but still not what I’m after. A lot more work to do. But for this Sunday, it will do. I’m going for a walk in the woods now to find some grays.
..ochre fall branch..
watercolor on extra white Fabriano artistico paper HP,41,5x30cm
..crimsons..
watercolor and pen in sketchbook, 15,5x25cm
Colors and foliage of November 1
I’ve been neglecting my sketching and I can feel it clearly in my wrist. Stiff and uncomfortable. Unsure. Hesitant.
…colors and foliage of November – yellow greens…
..watercolor and pen in watercolor sketchbook, 15,5x25cm..
I’m back at Coin Perdu for a painting sabbatical. Only me, my art and my soul. I’m staying in the barn, made many changes and it is now more of an atelier than anything else. We surely won’t receive any visitors during winter, so I’m set with my easels and paints around a huge fireplace which burns day and night to provide me with heat. It is actually good to be a little on the cold side. It keeps my brain from being too comfortable and become lazy and my body needs to move and work constantly to keep my metabolism up. It helps with my neglected sketching, because my doodles are starting to turn into sketches. I will bounce back. I always do.
There is no better way to get back into sketching than using what is in abundance around us. Nature. and if it is too cold outside, we can even bring nature inside. Which is what I’ve done with the following three sketches. Going for walks and picking up.
…foliage and colors of November – burgundies…
..watercolor and pen in watercolor sketchbook, 15,5x25cm..
…colors and foliage of November – umbers…
..watercolor and pen in watercolor sketchbook, 15,5x25cm..
This will be my excercise for some time…trying to capture nature in its colors of Autumn and winter..with additions of whatever is moving and living during these months around Coin Perdu.
Until next time…keep warm in the Northern hemisphere and enjoy the summers seasons elsewhere!
Ronelle
Summer berries.
My August postcard to Charlene – 1150 words was done on walk around Coin Perdu. At the moment the berries are plentiful and the birds are having a ball.
I chose to do the drawing of berries for Charlene on some papyrus. I love old papers, old scripts, old books, old letters …it has a charm that we don’t find anymore in our contemporary life. The papyrus is definitely not easy to write or draw on and I have a renewed respect for the patience and dedication , not forgetting the love someone puts into a beautiful writing. I’m thinking here of my friend Dana…drop by Ginger parasol to see the beautiful cards she designs and writes!
..watercolor and pen on papyrus…
…envelope…
…some berry sketches of previous posts…
Free expression on large format.
Busy with my people’s project, I just wanted to do something different. Something completely free and unrestrained. Taking large formats of paper and canvas, I put down the brushes and used only my hands and rolled towel paper. even though it feels a bit like first grade finger painting, there is a liberating feeling that results from “playful” and experimenting occasions like these.
1.Tilleul tree in gouache on paper. For the first tree, I shaped the thick trunk with a large brush and for the leaves, added gouache pigment with my fingers, sometimes very wet so the color runs and sometimes I dotted only dry splotches. Not a very significant result, but it did loosen me up, like all these free, expressive exercises always do. this one really looks like a first grader “picture”!
1…tilleul tree in gouache on paper, 65x50cm…
1…detail…
2. Prune tree in oil on canvas. For the second tree, I used a large canvas, primed it with a layer of thin gesso, “shaped” the tree trunks and branches with modelling paste and painting knifes, and finished off with a last coat of thinned gesso. After leaving it to dry overnight, I built up the tree trunk with layers of oil pigment, using a rag to wipe and build up up the layers. The leaves were all added with crumpled toweling paper and lastly spatters of oil pigment with a large brush.
2…prune tree in oil on linen, 92x73cm…
2…detail…
3. Apple tree in charcoal: Again on large format and loose application of pressed charcoal, I only made marks and got in there with the fingers to suggest the folage loosely.
3…apple tree in charcoal on paper, 65x50cml…
3…detail…
To do excercises like this:
- Use large sheets of paper or canvas or cartons. Off cuts from boxes can work as well
- Wear old clothes.
- Work where you have enough room/space…even outside on the lawn, or go to the park.
- Choose something around you like large shrubs, trees, flowerbeds.
- Use only big tools…big brushes, pieces of rag, knifes, twigs, and of course, hands(You can treat them afterwards with some good creams!)
- Work on the WHOLE paper, even if you run off the page.
- Stand back, up often and look at your creation from a distance. Don’t consider right or wrong or any painting rules.
- Consider only marks, color, texture, shapes.
- When finished with one, put it aside and immediately start another…with another bush another scene.. don’t go back to a previous painting, rather start another one.
- Don’t think, just do.
Just some sketches.
I have done just some sketches. Nothing in particular. Just taking out a pen and small watercolor tin and putting something on paper.
…two plants on a coffeetable of a shop…
…a third potplant on another coffee table…
…a branch of berries picked on one of my walks…
All sketches done in pen and watercolor wash on Arches paper, 18x26cm
Summer sunflowers.
Our July here in France was spent under umbrellas. Rain. Morning, noon and night. Not enough to lift the drought but enough to deprive us of of summer. No, I don’t complain. I’m fully aware that if I were in charge, the apocalypse would be immediate.
But there is still a way to enjoy summer. Of course! Sunflowers!
…envelope…
…front page of card to vivien…
…inside page of card to Vivien…
A bunch of red onions…in oil
Working solely with painting knives and oil paint…no medium. I quite enjoyed this…very messy and I look as messy as the painting, but I really had fun in doing this little painting! I’m getting there…
…a bunch of red onions…
oil on cotton, 20x20cm(7.9×7.9″)
More oil and gouache studies
I have been working a bit more in gouache and oil in the fields…doing the few hay balls still lying around in the fields here and there. The following pieces are only exercises done on site in plein air. I’m working hard at just interpreting, not rendering the reality, but only the essentials.
…close-up 1
Close-up two was done using only fench ultramarine, white an a touch of black. I’m quite happy with this one…
…close-up 2…
I am finding that I enjoy gouache more and more. I like the touch of it on the paper’s surface and it is creamy enough for me and I can work thick with it or thin in washes. I also particularly like its “flat” two dimensional appearance, which looks very “painterly” to me.
…Bales of hay in gouache…
These two gouaches were done on a large sheet of light grey laminated paper/carton paper (65x50cm..25.6×19.7″)
I did a small oil as well.. I have to regain my confidence in oil as I lost it completely during an experience a few weeks ago. I’m hesitant, I don’t really know what to do and where to go to on the canvas. But maybe it is a good thing too…maybe something new can be born from this. I hope so.
…bales of hay in oil…
oil on linen, 33×24.5cm (13×9.7″)
A June postcard
The months are flying by rapidly and we’ve already sent off 6 postcards of 13, almost halfway through. For this card to Martin, I decided on the vineyards here in Correze…our specialty wines, Vin paillé, meaning straw wine. The grapes are semi dried on straw beds and then pressed.
…on his envelope…
gouache on brown paper envelope
…and the post card… vin paillé of Correze
pen and watercolor on watercolor paper
