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Posts tagged “sketchbook

Espelette chillies in charcoal and sanguine.

Without planning it, these experiments have turned into a series. As it is raining constantly outside, I have to dine my subjects inside. I started off with clementines(see post here) and today I grabbed the bunch of dried Espelette chillies hanging next to the stove.

…Espelette chillies in charcoal and sanguine, 50x 65cm…

piment d'espelettes 2358x3075-001

I started off in light vine charcoal, rubbed over slightly  with my hand to erase most of the lines and then went in with the sanguine. piment d'espelettes 2917x3641

The completed drawing. Using white conté stick, I added the last highlights/ details.

piment d'espelettes 3097x4400

…Close- up 1…

piment d'espelettes 3219x3313

…close-up 2…piment d'espelettes 4164x2955


Three feathers in pen and aquarelle.

With this first post on Africantapestry, I wish you all a great year!

Yesterday I gave my art students some feathers to draw. They are beginners in drawing and I was highly impressed by the result. This afternoon I thought I should do a sketch of the same feathers. My geese and chickens aren’t shedding feathers at the moment and I dug into the chicken coop to find some decent ones..well, with some imagination they could come close to decent…But it actually made for an interesting challenge. We always think of a feather being perfect and pretty and soft..these were torn and scruffy and quite dirty and they smelled like chicken..

Voilà!

..Three feathers…

Pen and aquarelle in watercolour sketchbook, HP, 18x26cm

feathers

OK. Now that the ice is broken for 2014..let’s get out and (do) and see art, like my friend Theresa Andreas O’leary at Andreas art studio likes to say!

à bientôt

Ronelle


September 6: Four wheels

Since we moved a two years or so ago, I got stuck quite a few times in the winter’s mud and snow and slid into ditches and depended on farmers and their trusting tractors. Given that I hate a telephone and rarely have one on me, it takes forever to get out of my predicaments. So we said goodbye to our trusted old friend last year (Goodbye to an old friend )and mon cheri got me new four wheels. I am since then a happy country woman! I already got out of ditches, I wheelie in the snow with flair, and I make small change of our slippery winter road uphill…all without the help of Mr Farmer and his tractor!

Mon cheri of course thinks it is his four wheels! Oh well, I kindly allow him to think so…after all, he is mon chéri!

four wheels

à demain

Ronelle


Artichokes ands olive trees.

My artichoke plants are reaching enormous dimensions and the artichokes are beautiful. Some land in the kitchen and some stay on the plant to seed into beautiful blue purple flowers.

…artichokes..

watercolor and pen in watercolor le coq watercolor sketchbook, 19x19cm

artisjokke Skets

Three small olive trees in terracotta pots on the table..Hopefully not too long before I’ll have a tiny olive grove…that will be something! But for the time being I’ll indulge in the terracotta pots.

…three olive trees…

watercolor and pen in watercolor le coq watercolor sketchbook, 19x19cm

oliviers sketse

The past two years have been difficult in terms of painting, sketching and it is clear..tight, tight, tight..is the work! I am leaving for a few days in Provence, very quick there and back. The sketchbooks are packed and I hope to squeeze in some sketches. No better place than Provence to stimulate the creativity again.

…à bientôt…

Ronelle!


Nasturtiums in watercolour

The nasturtiums are slow off the mark this year..our summer being cold and very wet and a nasturtium a lover of warmth. But they are getting there and the flowers as always, playful and gay!

..red nasturtium..

watercolor and pen in Le Coq watercolor sketchbook, 19x19cm

Capucine 1

..yellow/apricot nasturtium..

watercolor and dipping pen with “Lie du thé” ink from J. Herbin in Le Coq watercolor sketchbook, 19x19cm

Capucine 2-001

…à bientôt…

Ronelle


A sunshine tulip and white sketches.

The tulips I brought back from Amsterdam last year are all in bloom, except for 3 Allium bulbs that I lost to greedy rabbits. I picked all white bulbs and got  big surprise when a few of the carefully picked white bulbs turned out to be a bright sunny yellow! That is OK. Oh well,  I am not too angry. Seeing that we are still wearing winter clothes and waiting for spring weather, I can only imagine the yellow was chosen by fate to uplift my spirit..some very welcome sunshine in a tulip!

As usual, I wait until the very last to get something done..including sketching the tulips. The yellow ones lost all their petals today, except for one lonely one, hanging on a few petals only for my benefit. While mon chéri saw to diner, I took the opportunity to sketch these tulips, before the fat lady had finally sung. I made it just in time…all the yellow petals are gone..

tulipes- yellow  4424x4451

The white tulips are still flowering happily and elegant in their waving. I am not a huge tulip fan and never had many in my gardens, but I have to admit that they do make for a spectacular show en masse!

tulipes -white 4404x4460

à bientôt

Ronelle


30/3/2013: Joyeuses Pâques!

To all my friends and readers and visitors, those who stop for a moment and those who pass right by…whatever you do during this Easter period, whichever way you celebrate it, or even ignore it…I wish you fun and joy,  many chocolate Easter eggs, (may you win the Easter egg hunt), and the most important of all…stay safe and pass on that wide smile!!

Joyeuses Pâques a tout le monde!

Ronelle

happy easter


A coffee break..

I cooked the whole day today, but I managed to pack in a doodle sketch during my coffee break. Using only contour lines, most of the objects done in one line, I could sketch quick and without restraint. Adding some watercolour splashes afterwards and voilà, a doodle sketch to show for the day!

I accidentally dipped my brush in my coffee (which happens every tile I paint with a coffee or glass or something by my side). This time I decided to keep it and even added some more coffee splashes. Coffee, wine and tea actually make for great mediums to paint with. Add some aquarelle varnish or finish off by sealing your sketch with aquarelle varnish and it will last as long as watercolour.

..A coffee break doodle..

pen and watercolour in l’atelier du papier aquarelle sketchbook

coffee sketch

I am driving up to Paris for the week next week..spending some Valentine time with mon chéri …will show him all my secret corners I love to visit, take him to my favorite Rodin museum and garden, have late afternoon tea at my favorite cafe, stop for our traditional romantic moment on Pont Neuf(he just adores crossing the Seine on Pont Neuf all day long..!!). I hope to come home with some great sketches and photos and …books of course!

I leave you with an old sketch of Paris, done a few years ago…

..Paris-les arbres de Jardin de Luxembourg..

paris-les arbres de jardin de luxembourg

à bientôt

Ronelle

 

 


Birds and chickens sketches.

With this very first post of 2013, I wish you all a very good new year..may it be all you wish it to be!

I have gotten myself back to the easel and sketchbook..a great achievement here in January. For myself, I hope that 2013 will be a better year than the previous, especially on the art front. But of course, that only depends on one person..me.

Of all the sketches I did today, the following ones are the most successful. The three chickens kept still long enough with their backsides to me, so I could practice my observation skills which got lost during the past year.

..three chickens in a row..

done in watercolor on Aquarelle block, HP, 18x26cm

poulets aquarelles

It is a different story with the birds. The mésanges(tits) are way too quick for me and I could only succeed in blobs of colour which looked more like flying saucers and even that would be an insult to the Martians. So I took closeups and put my own sketch together. According to my own rule, it is then not by definition a sketch, but more of a drawing, using sketching techniques. That is a mouthful! By my definition a sketch is only a sketch when done right in front of the live subject, “sur le motif”, we call it in French. when using the help of otter media..magazines, photos, it becomes drawing. The observation and rendering become totally different. By saying I used “some sketching technique”, I suggest that I used about 4 different photos, composed 2 birds on my paper, referred to the photo’s for colour and lastly added some branches and seeds from direct observation from the tree. So, finally, the whole sketch is my own composition with my branches and seed block being a true sketch with birds drawn onto it…

..Feeding two mésanges..

done in watercolor in Hahnemuhle watercolour sketchbook, 15.3x25cm.

mésanges aquarelle


Sketching a coffee in Toulouse and marigolds at Coin Perdu – 4 & 5 May.

..a coffee in Toulouse yesterday while waiting for my daughter to go fit her wedding dress. – 4 May.

pen and watercolor in Daler and Rowney sketchbook, 25,4×17,8cm

Doing this sketching every day in May is meant to get me back on track. I’ve lost some concentration, my ability to observe and interpret instantaneously. the last few months I’ve been distracted by so many things and art got put onto the back burner. My sketches in May is not supposed to be beautiful work, but a program of work and exercises. Flowers are always a good way to sharpen the saw and by looking at my wonky, askew marigolds…I need a lot of that!

..wonky marigolds – 5 May..


Terracotta potholder sketch – 2 May

..terracotta pots on garden pot holder..

watercolor and pen in Daler & Rowney aquarelle sketchbook, 254×178 cm.


Sketching everyday in May – 1 May 2012

Les muguets de 1er Mai..

..Lily of the valley..

watercolor and pen in Daler & rowney watercolor sketchbook, 254x178cm

 


Horse sketches

Our post card exchange has now come to an end, sadly, but maybe we have something new in the pipeline.

I sent Desiree horse sketches ..she and her family had horses at an earlier stage. Our two Comtois horses were my models  and the sketch on the envelope I did from one of those sketches.

Gubi(envelope)

gouache and pen on envelope

Gaitchi and Gubi

done with pitt artist pens in sketchbook


Some lunch sketches.

I had some lunch at a small restaurant close by and sketched my lunch of a vegetable soup, coffee and the surrounding salt and pepper set.

…vegetable soup and bread

pencil, pen and watercolor in Daler rowney sketchbook

The coffee sketch was my first and when I tell you that I had a very upsetting experience just before I arrived at the restaurant, you’ll understand why the lines are so dark and the whole sketch is sombre and almost violent. I’m always amazed by the strong influence emotion has on art.

The salt and pepper set was the last sketch and you can see that my emotion has settled a bit by that time. It did my a world of good to do these drawings…therapeutic.

…vegetable soup…

pencil, pen and watercolor in Daler rowney sketchbook

…coffee and water with cpeculoos biscuit…

pencil, pen and watercolor in Daler rowney sketchbook


Sketches of cute sheep.

A sheep and lamb or two from our neighbors camp. If all goes well and I can convince my husband with my sweet puppy eyes, I might just have my own cute lambs this spring!

…Sheep and lambs 1…

pencil, pen and watercolor in Daler  Rowney sketchbook CP, 254x178cm

…Sheep and lambs 2..

pencil, pen and watercolor in Daler  Rowney sketchbook CP, 254x178cm


Joyeuses fêtes!

Have a wonderful season!!

à la prochaine!

Ronelle


Colors and foliage in November 4

In the woods I picked up 2 different ivy’s, some pine branches, mushrooms and cushions of yellow green moss. for the greens, my palette c0nsisted of pure olive green, prussian blue, cerulean, cadmium yellow and ochre. I added touches of burnt sienna and raw umber.

In the first sketch I did yesterday, I found the colour too uniform and without depth, too  uninspiring.

…greens..

pen and watercolor on Canson Montval watercolor paper CP, 29,7x42cm

…then I went back in this morning and darkened some values – in the mushrooms, the pine branches and I used a thicker .7 pen. I think it has now a bit more  more…oomph?


Colors and foliage of November 3.

I found some beautiful grays…some more bluish, others more yellowish and greenish and some just simply…gray.

…grays..

watercolor and J Herbin inks on Hahnemuhle paper CP 15,5x25cm

Doing the above sketch  was very quick and dare I say easy, without sounding obnoxious? I’ll tell and you can decide…

  1. With a goose quill and nib and “gris nuage” ink from J Herbin, I drew the outline of the twig/branch with contour lines.
  2. I added a wet was over the areas that I wanted to highlight as the greyish moss, in the process flooding some the water soluble ink lines.
  3. I dabbed in some light dabs of indigo, prussian blue, paynes gray, ochre and raw umber on the wet areas. To finish off the background, I dropped some paint , using the same colours,  from a loaded brush to loosely suggest random patches of moss.
  4. Lastly I finished off with some dark paynes gray(little water, lots of pigment, to give very dark values, suggesting the small dark corners between the moss.

..J Herbin inks and goose quill…


Colors and foliage of November 2

More experimenting with fall colors…which are quickly changing to grays and blacks and umbers. some of these experiments and playing with line and color simply turn out a mess…as can clearly be seen in “ochres and siennas”, but somehow I actually like this mess, since it is much more loose and spontaneous than the others, which are strict and too precise and stiff. the goal of this experimenting is, after all, not to render, but to interpret. In that sense, “ochres and siennas” are my best effort so far, the one I’m the happiest with.

..ochres and siennas..

watercolor and pen in sketchbook, 15,5x25cm

I used the messy sketch above to do a painting 0n larger scale and extra white abriano artistico  paper. I shgould’ve gone for a more yellow tinted paper. Much lighter hand, lighter in color and more diverse in nuances…but still not what I’m after. A lot more work to do. But for this Sunday, it will do. I’m going for  a walk in the woods now to find some grays.

..ochre fall branch..

watercolor on extra white Fabriano artistico paper HP,41,5x30cm

..crimsons..

watercolor and pen in sketchbook, 15,5x25cm


Colors and foliage of November 1

I’ve been neglecting my sketching and I can feel it clearly in my wrist. Stiff and uncomfortable. Unsure. Hesitant.

…colors and foliage of November – yellow greens…

..watercolor and pen in watercolor sketchbook, 15,5x25cm..

I’m back at Coin Perdu for a painting sabbatical. Only me, my art and my soul. I’m staying in the barn, made many changes and it is now more of an atelier than anything else. We surely won’t receive any visitors during winter, so I’m set with my easels and paints around a huge fireplace which burns day and night to provide me with heat. It is actually good to be a little on the cold side. It keeps my brain from being too comfortable and become lazy and my body needs to move and work constantly to keep my metabolism up. It helps with my neglected sketching, because my doodles are starting to turn into sketches. I will bounce back. I always do.

There is no better way to get back into sketching than using what is in abundance around us. Nature. and if it is too cold outside, we can even bring nature inside. Which is what I’ve done with the following three sketches. Going for walks and picking up.

…foliage and colors of November – burgundies…

..watercolor and pen in watercolor sketchbook, 15,5x25cm..

…colors and foliage of November – umbers…

..watercolor and pen in watercolor sketchbook, 15,5x25cm..

This will be my excercise for some time…trying to capture nature in its colors of Autumn and winter..with additions of whatever is moving and living during these months around Coin Perdu.

Until next time…keep warm in the Northern hemisphere and enjoy the summers seasons elsewhere!

Ronelle


A handpainted aquarelle sketch and provencal pots.

When you forget a paintbrush at home, you use what you have available. In this case, it was my hands. And for this occasion it worked fine, although it will definitely not become my preferred way of working. I will in tie or glue my brush to my bag so I’ll never forget it again.

…interior of  “la panettiére” in Toulouse

pen and watercolorin watercolor sketchbook, 18x24cm..

The next  sketch was done in the barn one evening.. and I only noticed the slant during the daytime the next day..the light in the barn at night is just not good enough for any art making, but I quite like the quirky feel to these pots. They are two of my very old terracotta pots from Provence and I adore them! I’ve started doing an oil panting with these pots..a canvas that  has already been standing a few weeks  on the easel…and now I’m subjecting  my name to scandal by admitting it here..

…two provencal pots…

..pen and watercolour on Arches watercolor paper, CP, 18x26cm..


More paintings from Provence.

Our first outing was to this lovely spot and we planned on all doing gouache. Except for me – I had a real bad hair day and nothing worked that day…Robyn gave me such encouragement and comfort that day…she’s very special. The gouache you see here, was done here in Correze from the little watercolor I did on the spot. It isn’t quite what would normally make me jump in the air from joy, but seeing that it came from an already hesitant little watercolor, I think I  will now yield and validate it as OK.

…vineyard and cherry orchard…

gouache on paper.

 

…the original watercolor sketch, vineyards and cherry orchard..

…pen and watercolor in sketchbook…

Our first outing all three together and we painted the same spot.  Sarah hadn’t arrived yet, so you can see mine and Robyn’s at the bottom with Katherine’s to the right.(mine in watercolor and the other two in gouache…see them on ‘Four go painting in Provence.‘)

Sarah’s painting of the same spot a few days later is on her post Farm and cherry orchard afternoon.

This was very early…6:30 in the morning. Sunrise. But it actually works more as a sunset painting!

…sunrise, sunset…

watercolor on Fabriano watercolor paper

So I tried again here in my gallery to get a more early morning feel, which wasn’t a success either. But I learned in this process and that is important. I learned a LOT on this very short trip…maybe I will share it later…

...sunrise…

watercolor on Fabriano watercolor paper

And to finish off…a sketch of a terrace in the little village Bédoin, while having a diabolo cassis at the  café opposite.

…a terrace in Bédoin…

pencil and watercolor  in sketchbook

To follow: Oil and gouache studies.


Paintings from Provence

My week in Provence ended far too soon and it went by far too quick. I managed to do a few, not nearly as much as I planned, because typically Ronell, I forgot half of my art stuff at home. I left my very important oil canvases, boards and large watercolor pads by the door to pack them last and that’s where they still were while I as in Provence. Finding an art store proved to be harder than imagined  and so I ended up borrowing two canvas papers from Katherine…can one borrow a paper/canvas…?

To start off with: all of the following are sketches done around Les Couguieux, where we stayed.

…the blue shutters of les couguieux…

watercolor and pen on watercolor paper

…hameau des couguieux

pen and wash on watercolor paper

…the terrace at les couguieux…

pen and wash on watercolor paper

…still life with cups and lemon…

pen and wash on watercolor paper

To follow: landscapes in watercolor and gouache

 


People sketches in ink in a bistro in Tours..and a postcard.

I’ve picked up my pen again. If one stays on a break for too long, you can lose the desire to return. It is like that with everything in life. At some stage you need to apply some discipline to get going again.

For the first time in along while, I have done some sketches while having coffee in a bistro in Tours. My favorite way of doing it, is with contour lines. If I don’t watch it, I’ll do everything in contour fashion. I love it.

Some of the sketches worked, others didn’t. But it is always like that. Not every sketch is a success. I’m happy with the sketch of the three men at the top and I’m happy with the two men to the left in the bottom sketch. Unfortunately the child and man to the right didn’t work out.

I have also received my first postcard from Albrecht in Germany. Please visit A postcard from albrecht in Germany to see the post on his postcard.


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